Kyung Hwa ShonKyung Hwa Shon

Chicago City Maze

Acrylic, pen, tape, copper wire, nail, graphite powder on wood

2012

A Neverland of Fragments; A Place of Wordless Things and Thingless Words

LED light
2016

The City of Fragments

Silkscreen on paper and blue chair

2015

Should I Put Sunglasses on?

Aluminum sticks, bricks, grass, plastic cups, coloured acetate sheets, colour chalks, polystyrene balls and spray paint. Sound included.

2017

Every Second in Between

Public art commission for White City Place in White City, London, UK.

In partnership with Stanhope.

photo by Tim Bowditch

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Every Second in Between

Animation

He Needs My Eye Looking At Him. He Needs Me To Prove He's Alive

Pink holographic fabric and mirror

355 x 800 cm / 50 cm in diameter

2016

Psychogeographic Abstract Landscapes

1. Installation view at the Seoul Olympic Museum of Art (SOMA)

2. Psychogeographic Contemporary Abstract Landscapes / Acrylic, pencil, copper wire, nail on wood / 340 x 486 x 50 cm / 2013

3. Every Second in the City / Acrylic on wood / 174 x 189 x 30 cm / 2013

4. Details (#3)

5. Every Second in the City / Acrylic on wood / 175 x 185 x 30 cm / 2013

6. Details (#4)

4. Untitled / Wood / 176 x 150 x 30 cm / 2013

5. Nowhere of Place / Acrylic paint, copper wire, nail on wood / 122 x 244 cm / 2011

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The Snapdragons

https://vimeo.com/243657162

Three channel colour video installation
7 minutes 15 seconds, 2017

One car, two iPhones, three snapdragons and four people. A Korean artist, a Chinese tourist and two Ukrainian curators went on a road trip together from Kharkov to Dnipro in Ukraine. The three-channel film pays playful tribute to Dnipro – used to be called “the rocket closed city”. The ghost of the Soviet Union and the voice of the God (played by Siri) are hovering over the film in which questions the system and ideology of modern society.

Collaboration with Hiu Tung Lau

Credits
Video Source
"New Moon: Reds Launch First Space Satellite", Universal-International News 1957

Script based on
"Genesis" Bible (NIV)

Sound Source
"Katyusa - Valeria Kurnushkina & Red Army Choir (2014)", DjukiNew1957 "Tetris Soundtrack", The Game Boy
"The sounds of spring - bird songs", bxgirl45
"Heart Beat", Soundious
"Alien Ship Eerie Sound FX", nathanolson
"Siri", Apple Inc.
"Heavenly Angel Sound Effect", Madeline Collette

The Snapdragons, 2017

https://vimeo.com/243657162

Visibility, Non-Visibility, Invisibility

Text with phosphorescent powder pigment

2015

Non-Visibility

including sound (12' 30")

Phosphorescent powder pigment, gold metallic foil, silver reflective fabric, cage, teeth, , bird toy, etc.

2014

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in between; there is, there is not

Holographic laser fabric

2017

The City of Fragments

Fragment of an installation

2015

Text on copper sheets

300 x 252 x 0.3 cm

Text on paper

270 x 252 x 0.1 cm

210 x 252 x 0.1 cm

210 x 210 x 0.1 cm

Space of Montage

1. Space of Montage (Every Second in the City) / Acrylic paint, wire, nail, pen, tape on wood / 153 x 153 cm / 2010

2. Space of Montage (Every Second in the City) / Acrylic paint, wire, nail, pen, tape on wood / 153 x 153 cm / 2010

3. Space of Montage (Every Second in the City) / Acrylic paint, pen, tape on wood / 115 x 73 cm / 2010

4. Space of Montage (Every Second in the City) / Acrylic paint, wooden sticks, tape on canvas / 92 x 125 cm / 2010

5. Space of Montage (Every Second in the City) / Acrylic paint, wooden sticks, tape on canvas / 129 x 163 cm / 2010

6. Space of Montage (Every Second in the City) / Acrylic paint on canvas / 214 x 305 cm / 2011

7. Space of Montage (Every Second in the City) / Acrylic paint on canvas / 183 x 305 cm / 2011

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Psychogeographic Abstract Landscapes in London (Painting)

1. Silhouette of the London Landscape / Oil on canvas

2. Fragments of the Seoul Landscape / Oil on canvas

3. Fragments of the London Landscape / Oil on canvas

4. Duality / Oil on canvas

5. Fragments of the London Landscape / Acrylic on canvas

6. Déjà vu / Oil on canvas

7. Fragments of the London Landscape / Acrylic on canvas

8. Fragments of the London Landscape / Acrylic on canvas

9. Duality / Oil on canvas

10. Summer Tragedy / Acrylic on canvas

11. London Architecture iv / Watercolor

12. London Architecture iii / Watercolor

13. London Architecture i / Watercolor

14. London Architecture ii / Watercolor

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Naturalistic Landscapes under Glass

1. Naturalistic Landscapes under Glass / Acrylic on canvas

2. Naturalistic Landscapes under Glass / Acrylic on canvas

3. Psychogeographic Landscape / Acrylic on canvas

4. Naturalistic Landscapes under Glass / Acrylic on canvas

5. Psychogeographic Landscape / Acrylic on canvas

6. Psychogeographic Landscape / Acrylic on canvas

7. Psychogeographic Landscape / Acrylic on canvas

8. Naturalistic Landscapes under Glass / Acrylic on canvas

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Endless Transition of Space (Drawings)

1. The Trace of Stillman / Engraved mirror / 121 x 140 x 0.6 cm / 2015

2. Endless Transition of Space / Acrylic paint and pen on paper / 48 x 48 cm / 2014 (Colloboration project with Drake's. Design of a silk pocket square)

3. Endless Transition of Space / Acrylic paint and pen on paper / 48 x 48 cm / 2014

4. Endless Transition of Space / Acrylic paint and pen on paper / 48 x 48 cm / 2014

5. Endless Transition of Space / Acrylic paint and pen on paper / 76 x 53 cm / 2014

6. Endless Transition of Space / Acrylic paint and pen on paper / 48 x 48 cm / 2014

7. Endless Transition of Space / pen on paper / 48 x 48 cm / 2014

8. Endless Transition of Space / pen on paper / 48 x 48 cm / 2014

9. Endless Transition of Space / Acrylic paint and pen on paper / 76 x 53 cm / 2014

10. Untitled / copper paint on paper / 53 x 76 cm / 2013

11. Untitled / copper paint on golden paper / 50 x 50 cm / 2013

12. Untitled / copper paint on paper / 76 x 53 cm / 2013

13. The Trace of Stillman / Engraved mirror / 18 x 25 cm (L) / 21 x 29 cm (R) / 2014

14. The Trace of Stillman / Engraved mirror / 53 x 76 cm / 2014

15. The Trace of Stillman/ Engraved mirror / 53 x 76 cm / 2014

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The Trace of a City Phantom

including performance and sound (12' 30")

Stage : Acrylic and chalk on board (200 x 200 x 10 cm)

Glass: Copper paint on glass (55 x 55 x 0.6 cm)

2014

Volumes in the Paper-cup

I volunteered at the Koyang mental hospital as an art teacher. Intrigued by Michel Foucault’s study of the history of modern mental institutions, I tried to investigate a microcosm of his theory. Through collaboration with patients, I set out to explore mental institution as a form of incarceration and surveillance as a tool for the molding of minds. My direct experiences with patients, however, led to an understanding of observing and being observed that was not stipulated in Foucault’s theory. I realized that patients were not passive objects of observation, but were also active observers, and that the acknowledgement of our equality was essential for developing relationship with them. I also witnessed how this population was bound by physical structures and the structure of rules, and how they reacted and adapted to their surroundings. The experience inspired me to explore the influence of physical structures on people and the environment in the context of a larger society.