Kyung Hwa ShonKyung Hwa Shon

He Needs My Eye Looking At Him. He Needs Me To Prove He's Alive

Pink holographic laser fabric

355 x 800 cm

2016

A Neverland of Fragments; A Place of Wordless Things and Thingless Words

including sound (12' 30")

LED light
2016-2017

Video documentation

Visibility, Non-Visibility, Invisibility

Text with phosphorescent powder pigment

2015

Chicago City Maze

Acrylic, pen, tape, copper wire, nail, graphite powder on wood

2009-2011

The City of Fragments

Silkscreen on paper

2015

Psychogeographic Abstract Landscapes

1. Installation view at the Seoul Olympic Museum of Art (SOMA)

2. Psychogeographic Contemporary Abstract Landscapes / Acrylic, pencil, copper wire, nail on wood / 340 x 486 x 50 cm / 2013

3. Every Second in the City / Acrylic on wood / 174 x 189 x 30 cm / 2013

4. Details (#3)

5. Every Second in the City / Acrylic on wood / 175 x 185 x 30 cm / 2013

6. Details (#4)

4. Untitled / Wood / 176 x 150 x 30 cm / 2013

5. Nowhere of Place / Acrylic paint, copper wire, nail on wood / 122 x 244 cm / 2011

Screen Shot 2015-04-22 at 11.31.54 PM.png

Screen Shot 2015-04-22 at 11.31.45 PM.png

Screen Shot 2015-04-22 at 11.31.37 PM.png

Screen Shot 2015-04-22 at 11.32.33 PM.png

Non-Visibility

including sound (12' 30")

Phosphorescent powder pigment, gold metallic foil, silver reflective fabric, cage, teeth, , bird toy, etc.

2014

Screen Shot 2015-04-21 at 1.07.31 AM.png

Screen Shot 2015-04-21 at 1.06.52 AM.png

Screen Shot 2015-04-21 at 1.07.04 AM.png

Screen Shot 2015-04-21 at 1.06.34 AM.png

Screen Shot 2015-04-21 at 1.07.15 AM.png

Screen Shot 2015-04-21 at 1.06.58 AM.png

Screen Shot 2015-04-21 at 1.06.28 AM.png

Screen Shot 2015-04-21 at 1.07.26 AM.png

Screen Shot 2015-04-21 at 1.07.10 AM.png

Screen Shot 2015-04-21 at 1.06.46 AM.png

in between; there is, there is not

Holographic laser fabric

2017

The City of Fragments

Fragment of an installation

2015

Text on copper sheets

300 x 252 x 0.3 cm

Text on paper

270 x 252 x 0.1 cm

210 x 252 x 0.1 cm

210 x 210 x 0.1 cm

Space of Montage

1. Space of Montage (Every Second in the City) / Acrylic paint, wire, nail, pen, tape on wood / 153 x 153 cm / 2010

2. Space of Montage (Every Second in the City) / Acrylic paint, wire, nail, pen, tape on wood / 153 x 153 cm / 2010

3. Space of Montage (Every Second in the City) / Acrylic paint, pen, tape on wood / 115 x 73 cm / 2010

4. Space of Montage (Every Second in the City) / Acrylic paint, wooden sticks, tape on canvas / 92 x 125 cm / 2010

5. Space of Montage (Every Second in the City) / Acrylic paint, wooden sticks, tape on canvas / 129 x 163 cm / 2010

6. Space of Montage (Every Second in the City) / Acrylic paint on canvas / 214 x 305 cm / 2011

7. Space of Montage (Every Second in the City) / Acrylic paint on canvas / 183 x 305 cm / 2011

Screen Shot 2015-04-22 at 11.39.31 PM.png

Screen Shot 2015-04-22 at 11.40.01 PM.png

Screen Shot 2015-04-22 at 11.39.47 PM.png

Psychogeographic Abstract Landscapes in London (Painting)

1. Silhouette of the London Landscape / Oil on canvas

2. Fragments of the Seoul Landscape / Oil on canvas

3. Fragments of the London Landscape / Oil on canvas

4. Duality / Oil on canvas

5. Fragments of the London Landscape / Acrylic on canvas

6. Déjà vu / Oil on canvas

7. Fragments of the London Landscape / Acrylic on canvas

8. Fragments of the London Landscape / Acrylic on canvas

9. Duality / Oil on canvas

10. Summer Tragedy / Acrylic on canvas

11. London Architecture iv / Watercolor

12. London Architecture iii / Watercolor

13. London Architecture i / Watercolor

14. London Architecture ii / Watercolor

Screen Shot 2015-04-21 at 1.20.52 AM.png

04.KyunghwaShon_Duality_110x140cm_2012_Oil on canvas.jpg

Screen Shot 2015-04-21 at 1.20.30 AM.png

Screen Shot 2015-04-21 at 1.20.40 AM.png

Screen Shot 2015-04-21 at 1.20.35 AM.png

Screen Shot 2015-04-21 at 1.19.28 AM.png

Screen Shot 2015-04-21 at 1.19.34 AM.png

Screen Shot 2015-04-21 at 1.19.59 AM.png

Screen Shot 2015-04-21 at 1.19.05 AM.png

Screen Shot 2015-04-21 at 1.19.23 AM.png

Screen Shot 2015-04-21 at 1.19.12 AM.png

Screen Shot 2015-04-21 at 1.19.18 AM.png

Naturalistic Landscapes under Glass

1. Naturalistic Landscapes under Glass / Acrylic on canvas

2. Naturalistic Landscapes under Glass / Acrylic on canvas

3. Psychogeographic Landscape / Acrylic on canvas

4. Naturalistic Landscapes under Glass / Acrylic on canvas

5. Psychogeographic Landscape / Acrylic on canvas

6. Psychogeographic Landscape / Acrylic on canvas

7. Psychogeographic Landscape / Acrylic on canvas

8. Naturalistic Landscapes under Glass / Acrylic on canvas

Screen Shot 2015-04-21 at 1.19.53 AM.png

Screen Shot 2015-04-21 at 1.19.46 AM.png

Screen Shot 2015-04-21 at 1.19.40 AM.png

Screen Shot 2015-04-21 at 1.20.25 AM.png

Screen Shot 2015-04-21 at 1.20.20 AM.png

Screen Shot 2015-04-21 at 1.20.09 AM.png

Screen Shot 2015-04-21 at 1.20.04 AM.png

Screen Shot 2015-04-21 at 1.20.14 AM.png

Very Edge of Presence

1. Very Edge of Presence i / Acrylic on canvas / 153 x 153 cm / 2010

2. Very Edge of Presence ii / Acrylic on canvas / 153 x 153 cm / 2010

3. Very Edge of Presence iii / Acrylic on canvas / 153 x 153 cm / 2010

Screen Shot 2015-04-21 at 1.14.40 AM.png

Screen Shot 2015-04-21 at 1.14.35 AM.png

Screen Shot 2015-04-21 at 1.14.28 AM.png

A thing : cannot be seen, cannot be heard, cannot be held

Artist Book

Text engraved on 2 sheets of transparent glass

Text and images printed on Japanese paper

Glass : 67 (h) x 92 (w) x 0.6 (d) cm (each) Paper : 59 (h) x 84 (w) x 0.1 (d) cm (each)

2016

Endless Transition of Space (Drawings)

1. The Trace of Stillman / Engraved mirror / 121 x 140 x 0.6 cm / 2015

2. Endless Transition of Space / Acrylic paint and pen on paper / 48 x 48 cm / 2014 (Colloboration project with Drake's. Design of a silk pocket square)

3. Endless Transition of Space / Acrylic paint and pen on paper / 48 x 48 cm / 2014

4. Endless Transition of Space / Acrylic paint and pen on paper / 48 x 48 cm / 2014

5. Endless Transition of Space / Acrylic paint and pen on paper / 76 x 53 cm / 2014

6. Endless Transition of Space / Acrylic paint and pen on paper / 48 x 48 cm / 2014

7. Endless Transition of Space / pen on paper / 48 x 48 cm / 2014

8. Endless Transition of Space / pen on paper / 48 x 48 cm / 2014

9. Endless Transition of Space / Acrylic paint and pen on paper / 76 x 53 cm / 2014

10. Untitled / copper paint on paper / 53 x 76 cm / 2013

11. Untitled / copper paint on golden paper / 50 x 50 cm / 2013

12. Untitled / copper paint on paper / 76 x 53 cm / 2013

13. The Trace of Stillman / Engraved mirror / 18 x 25 cm (L) / 21 x 29 cm (R) / 2014

14. The Trace of Stillman / Engraved mirror / 53 x 76 cm / 2014

15. The Trace of Stillman/ Engraved mirror / 53 x 76 cm / 2014

Screen Shot 2015-04-21 at 1.12.09 AM.png

Screen Shot 2015-04-21 at 1.11.35 AM.png

Screen Shot 2015-04-21 at 1.10.53 AM.png

Screen Shot 2015-04-21 at 1.11.40 AM.png

Screen Shot 2015-04-21 at 1.11.12 AM.png

Screen Shot 2015-04-21 at 1.11.07 AM.png

Screen Shot 2015-04-21 at 1.11.01 AM.png

Screen Shot 2015-04-21 at 1.11.58 AM.png

Screen Shot 2015-04-21 at 1.11.18 AM.png

Screen Shot 2015-04-21 at 1.11.23 AM.png

Screen Shot 2015-04-21 at 1.12.21 AM.png

Screen Shot 2015-04-21 at 1.12.03 AM.png

Screen Shot 2015-04-21 at 1.12.15 AM.png

The Trace of a City Phantom

including performance and sound (12' 30")

Stage : Acrylic and chalk on board (200 x 200 x 10 cm)

Glass: Copper paint on glass (55 x 55 x 0.6 cm)

2014

Serendipitous Moments of Glitch

1. TQ 28913 80225 / Digital C-Type / 50.05 x 93.68 cm / 2014

2. 37.560363 126.982033 / Digital C-Type / 50 x 118.58 cm / 2014

3. 51.4811° N, 0.1725° W / 2014

4. 37.5659770 126.9826198 / Digital C-Type / 15.05 x 68.55 cm / 2014

Volumes in the Paper-cup

I volunteered at the Koyang mental hospital as an art teacher. Intrigued by Michel Foucault’s study of the history of modern mental institutions, I tried to investigate a microcosm of his theory. Through collaboration with patients, I set out to explore mental institution as a form of incarceration and surveillance as a tool for the molding of minds. My direct experiences with patients, however, led to an understanding of observing and being observed that was not stipulated in Foucault’s theory. I realized that patients were not passive objects of observation, but were also active observers, and that the acknowledgement of our equality was essential for developing relationship with them. I also witnessed how this population was bound by physical structures and the structure of rules, and how they reacted and adapted to their surroundings. The experience inspired me to explore the influence of physical structures on people and the environment in the context of a larger society.